Competition
Student | Experimental |
Experimental 1
Friday 15/03/2019 19:45 - 20:50 - Serafeio, City of Athens
Total Duration: 01:17:44
- Perforations / Perforacije 09:28Croatia 2017
- But One Bird Sang Not 06:00Canada 2018
- The Extinct Suite 04:43Germany 2017
- Matter Out of Place 02:28USA 2017
- Secret Ghosts Pt. 1 07:05Canada 2017
- Prime perfect 2 02:42USA 2018
- The porous body / Le corps poreux 06:15United Kingdom 2018
- Synset Circle / Synset Kreis 22:39Germany 2018
- Desire on the Surface of the Skin 02:42Canada 2019
- Facelift 06:46Germany 2019
- Potion: Dark Matter 04:56USA 2019
Directed by: Slobodan Tomić
Screenplay: Slobodan Tomić
Production/School: Slobodan Tomić
3D animation The film "Perforations" shows the fragility of our civilization. The film has a non-classical narrative structure. it is made up of five short films: Temple, Decline, Exodus, Death factory and Necropolis. A surrealistic illustration of the civilization in its religious and technological doubt. The clash of two opposite principles stimulates alienation, exodus, technological suicide. In the end, the demolition of the Temple represents a tragical release from the civilization's identity paradigm. The films are mutually related to transmit the atmosphere, architecture and to interpenetrate the characters. Simultaneously, they are counterpointed in the atmosphere, tempo, music and noise. humanlike characters are simplified and denuded like robot dolls. Other 'participants' are surrealistic creatures representing the clergy, army, mythological beasts, etc. they are shaped in the simple black-and-white design in conflict with the dehumanized architecture. The eyes and mouths represent the only admixture of humaneness which occasionally appears on the vertex of the dolls or on the walls of the temples. Their roles are different: the mouths displayed on the walls of the temples seem to count and separate the 'sinners' from the religiously unsound members of the flock, whereas the eyes and mouths on the top of the heads of the marionette believers express anxiety and resignation to their fate. Additionally, the anxiety is intensified by music and the expressive contrasts of the black-and-white interwoven with the elements of the cold architecture.
Directed by: Pierre Hébert
This film, part of the Scratch project, is a visual interpretation of a Malcolm Goldstein piece for solo violin based on a Bosnian popular song from Bosnia-Herzegovina. The composer describes it as a gesture of hope for peace in that land ravaged by war during the 1990’s.
Directed by: Anna Malina Zemlianski
Animation: Anna Malina Zemlianski
Technique: Collage Animation
Music: Steve Jansen
Dialogue language: None
Space and metamorphoses in an animation film made of approx. 1700 hand-manipulated collages.
Directed by: Oona Taper
Intimate portrait. Blurred line. Exploration of presence and absence. An Experimental Animation.
Directed by: Carolyn Tripp
Music: Original score by Brady Bothwell
Dialogue language: English
"Secret Ghosts Pt. 1," is the first of a multi-part animated series. Illustrated specters contemplate their "post-body" existence within a contemporary, consumerist framework. Set to the spookiest of slow jams, Secret Ghosts tries to answer the question, "does the afterlife include pedestrian desire?"
Directed by: Tom Bessoir
Dialogue language: English
Warning: The stroboscopic nature of this film may be unsuitable for some viewers. prime perfect was largely a black and white flicker film. prime perfect 2 is a primary color flicker film. Frames numbers that are prime numbers are red. Frames numbers that are perfect numbers are white. Frames numbers that are perfect squares are green. For the best experience view in a dark room at loud volume.
Directed by: Sofia El Khyari
Screenplay: Sofia El Khyari
Production/School: Royal College of Art
Dialogue language: Arabic, French
A young woman who lives in her thoughts goes back to the sea to centre herself. As she dives into the water, she dives under her skin and penetrates her psychological wrapping.
Directed by: Lilian Robl
Screenplay: Lilian Robl
Production/School: Lilian Robl
Dialogue language: English, German
The term „circle“ is investigated with the goal of trying to withdraw fixed definitions from it and to destabilize them. Who is speaking? Maybe a voice from a time after the apocalypse, when all human knowledge got lost and people are finding new answers in a kind of post-scientific era.
Directed by: Sunny Stanila
Production/School: Sunny Stanila
Desire on the Surface of the Skin is an abstract visual poem exploring desire and touch. The images focus on the viscosity of ink staining paper, flowing and troubling the clarity of water. The film compares paper to the surface of skin and studies the textural experience of touch by the bursting of colour. The extreme enlargement in the animation creates an intimate relationship with the pigment and textures. The director embraces unpredictability and investigates the physicality and tangibility of the materials and their transition into motion. The soundtrack includes field recordings done by the artist. Approaching film as sensation the author investigates physiological bodily responses that are deeper than reason.
Directed by: Jan Riesenbeck, Dennis Stein-Schomburg
Screenplay: Jan Riesenbeck
Animation: Dennis Stein-Schomburg
Music: Thomas Höhl
Production/School: Dennis Stein-Schomburg
Dialogue language: English
A man talks about his everyday life while his head is developing a life of it's own.
Directed by: Annie Maley
Screenplay: Annie Maley
Animation: Annie Maley
Technique: Digital 2D
Music: Potion (Annie Maley / Michel Diaz de Bedoya)
Production/School: Annie Maley, Gringo Starr Productions
Dialogue language: English
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