Created shortly after going through a harrowing and transformative personal experience, Visions is a fragmentary work using a mix of stop-motion animation, analog video synthesis, Super 8 and digital video. Emerging from a variety of dreams, memories and visions experienced during a hospitalization Visions is a poetic exploration of the thin line that separates life from death.
Ο χρόνος στη συνείδηση του ανθρώπου(παρελθόν, παρόν, μέλλον) σχετικός χρόνος στη φυσική(διάσταση που κυλάει ανεξάρτητα από την κατάσταση κίνησης του παρατηρητή) ο χρόνος ως ροή στη φιλοσοφία(που κυλά σαν νερό και γλιστρά μέσα από τα χέρια μας) και ο έσχατος χρόνος(τι υπήρξε πριν τη δημιουργία, τι θα υπάρχει μετά το τέλος). Δημιουργήσαμε ρολόγια για να μετράμε τον χρόνο κι αφού με αυτά λοιπόν γεμίσαμε τη ζωή μας, έρχεται η ώρα της εναντίωσης [Λούπα εικόνων που εμπλέκουν τη συνειδητότητα της ταυτότητας των ρολογιών με την απροσάρμοστη ροή στην εξέλιξή της και μουσικές λούπες που έρχονται και φεύγουν και μεταβάλουν την χροιά, την ένταση, τη διάρκεια των ήχων μετατρέποντας τη μελωδία παροδικά σε διαφωνία και το αντίθετο] έναρξη αυτονομίας της σκέψης και της πράξης
Glass House is a video-sonic work, a disruptive immersive experience. It's the glass Tower of Babel, a kaleidoscope with hypnotic beauty. It's a sensation, mixed with attraction and repulsion, borrowed from science fiction novels.
In the world of childhood, reality is mixed with dreams and curiosity outweighs fear. It is a world where the magic of small moments are like gems woven into the grid of the daily routine. A film is a metaphorical statement about childhood and parenting in a dark time in which we live.
Two boatwomen travel to meet each other down the river
The self-destructive nature of seeking love and validation from external sources.
Tete-a-Tete is a lyrical exploration of human connection, where the language of movement and abstract visuals replace words, inviting viewers into a dance of emotions that unfolds across a 360-degree canvas.
This photographic exploration of family photo albums ravaged by water evokes hazy and indistinct memories, poignant witnesses of a fragile past.
Walking means: looking - perceiving - reflecting. Hiking through outer and inner landscapes. Lauren Elkin observes that: "narratives of walking repeatedly leave out a woman's experience." Annemarie Schwarzenbach: “I want nothing more than to walk but wander - from world to world, and never stop.”
Through animation, music and VO, the creator looks back into her past and deals with the sexual abuse that she experienced when she was 9 years old. She realizes that self-hatred, depression and anxiety are not her path.
A body that is completely disjointed is trying to put its pieces back together. On this path, it succeeds in creating a collage of itself.
Move into the night.
Taking inspiration from 20th-century avant-garde experiments in graphical sound generation, the entire image in O/S functions as an optical soundtrack. Abstract motion becomes sound. What you hear is exactly what you see.
The film consisting of several dozens of original risograph prints, is an under-the-camera, straight-ahead animation improvised to the rhythm of the scores of Hungarian Barabás Lőrinc jazz trumpeter and composer.
Separation, fever dreaming, and a deflated celebration.
SYNOPSIS A female testimony of a post-apocalyptic “ancient-Greek-drama-alike” non-human chorus of ashes' statues. The ashes of the victims of the genocide of Palestinians arise in an underwater world and tell their story, protected from the inhumanity of humans on earth, and accompanied by mutated fish-birds. A story of love and hope in an age of despair, through an audiovisual breeding of archival folk & revolutionary music, war field recordings and new smart technologies (Artificial Intelligence, VR and AR). LOGLINE “The ashes of the bombarded Palestinians of Gaza have resurrected in an underwater world as anthropomorphic corals, accompanied by mutated fish-pigeons. The ashes of one of the blown-up women tell us their story of love and hope in an age of despair.” Experimental storytelling through Artificial Intelligence, war-field recordings & archival media.
Stones are existences full of possibilities in nature, from sand to mountains, flowing on the land and embracing everything in the world. The Amis people have a profound connection with the land, guarding it for generations and living in harmony with it. Let us re-understand stones from another angle and re-understand the firm but soft hearts of the Amis.
ATHENS ANIMFEST
