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| Μεγάλου Μήκους | Ελληνικές | Σπουδαστικές - Πρόγραμμα 7 (113')ΣπουδαστικέςΔευτέρα, 30 Μαρτίου 2015, Αλκυονίδα New Star Art Cinema, Hours: 21:00-23:00
01. Pidge, 4’ 34’’ USA 2014 Directed by Renee Zhan Screenplay: Renee Zhan Animation: Renee Zhan Technique: 2D computer Music: Dialogues: English Subtitles: None
A suicidal pigeon contemplates his existence.
02. An adventurous afternoon, 6’ Germany 2013 Directed by Ines Christine Geisser, Kirsten Carina Geisser (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Ines Christine Geisser, Kirsten Carina Geisser Animation: Ines Christine Geisser, Kirsten Carina Geisser Technique: Drawn animation, Scratched Crayon, 2D Computer Music: The Giant Fox & Willam Honda Group, Jan Kristian Fuchs, Karl Ingo Willam Dialogues: None Subtitles: English
Actually Giant Fox & William Honda just want to enjoy a coffee together, but the afternoon is getting more adventurous than they thought.
03. Wind, 3’ 49’’ Germany 2013 Directed by Robert Löbel (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Robert Löbel Animation: Robert Löbel Technique: QuickTime HD Music: Dialogues: None
Wind is an animated short about the daily life of people living in a windy area who seem helplessly exposed to the weather. However, the inhabitants have learned to deal with their difficult living conditions.
04. 20Tweleve, 3’ 34’’ Germany 2012 Directed by Christian Stahl (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Madleen Kamrath, Julien Wilkens, Jens-Henrik Kuiper Animation: Christian Stahl Technique: HD (RedOne) Music: Tom VonderSonne Dialogues: German Subtitles: English
Freedom of the press is one of our greatest assets. We just need to make journalists aware of abuses and defend this fundamental right. But we must also focus on self-critical on the way we work. Freedom of the press is regularly put to the test. The short film "20zwoelf" - the video essay www.20zwoelf.de - is pushing this issue to the extreme: a Germany without a free press – unthinkable?
05. Bear, 8’ 14’’ Germany 2014 Directed by Pascal Flörks (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Pascal Flörks Animation: Pascal Flörks Technique: Mixed Media (Autodesk Maya, Nuke, Adobe Photoshop, Solidangle Arnold, Adobe Premiere) Music: Christian Heck Dialogues: German Subtitles: English
My grandpa's past was always very present. It would break through in something he'd say or do, but he'd never talk about it. Only now, by revisiting his life and personality as I knew him, do I feel the weight of his inheritance.
06. Eat, 6’ 30’’ Germany 2012 Directed by Moritz Krämer (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Ines Berwing Animation: Moritz Krämer Technique: HD (RedCam) Music: Conrad Oleak, Moritz Krämer, Patrick Reising, Francesco Wilking Dialogues: German Subtitles: English
A photoshoot. The model Helen is unnerved. Back in the changing room she makes a surprising discovery. Everything around her is edible - the chair, the TV, the walls…
07. Cathcer, 5’ Germany 2014 Directed by Fabian Koppenhöfer (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Fabian Koppenhöfer Animation: Fabian Koppenhöfer, Markus Färber, Frederico Klotz Technique: 3D Animation: Cinema 4D, After Effects Music: Fabian Koppenhöfer Dialogues: None
The catcher desperately tries on the edge of a steep cliff to preserve the playing children from falling into the abyss. At the end he has no other option to go his own way.
08. Fortune Faded, 3’ 11’’ Germany 2012 Directed by Alexander Heringer (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Team Fortune Faded Animation: 2D: Achim Lenz, Daniel Galiard, Rainer Bez, 3D: Felix Schwarz, Bianca Jürgens, Benjamin Dongus, Andreas Krausser Technique: ARRI D21 (1920x1080HD) Music: David Lackovic Dialogues: None
Every Moment leads to another one. Thus, to understand one Moment one has to know about his background, because everything has a cause and everything has an effect. Fortune Faded describes this principle with a journey through these moments and tells a story of a fateful concatenation, that finally ends up in fire and ashes.
09. Plug & play, 6’ Switzerland 2013 Directed by Michael Frei (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Michael Frei Animation: Michael Frei Technique: Digital HD 1080p25 Dialogues: English Subtitles: English
Anthropoid creatures with plugs in place of heads are up to mischief. Instead of abandoning oneself to the dictates of the raised finger, they soon submit to themselves. But the fingers also finger around. Is it love? Plug & play is entirely finger-drawn using an integrated touchpad of a laptop.
10. Water, 9’ 56’’ Germany / UK 2014 Direction: Leonardo Re (Agent: Markus Kaatsch, aug&ohr medien) Screenplay: Tim R. Gloystein Animation: Leonardo Re Technique: HD Music: Carlos Badosa Dialogues: English Subtitles: English
Wasser explores various stages of a man's apathy. Unable to see or perceive his wife, he associates her missing with water. To remind himself of her and in an attempt to avoid his more and more self-centric behaviour, he exhibits water-filled jars throughout the apartment. Based on a true story.
11. In full flower, 3’ 45’’ Poland 2015 Directed by Aleksandra Kucwaj Screenplay: Aleksandra Kucwaj Animation: Aleksandra Kucwaj Technique: Computer Music: Paris Music Dialogues: Aleksandra Kucwaj Language of dialogues: Polish Subtitles: Aleksandra Kucwaj Language of Subtitles: English
A simple chat between two neighbours unveils mysterious actions.
12. Image, 3’ 39’’ Iran 2014 Directed by Yousef Jafary Screenplay: Yousef Jafary Animation: Mona Shokri, Reza Dehghan, Mehdi Bahrami Technique: 2D- 3D Music: Ali Naghi Vaziri Dialogues: Persian Subtitles: English
Image is a short animated documentary about the imagination of a child from one of the Iranian stamp collections.
13. The Life-Givers, 6’ 38’’ USA 2014 Directed by Angela De Vito Screenplay: Angela De Vito Animation: Angela De Vito Technique: 2D Digital Music: Jerome Leroy Dialogues: English Subtitles: None
In the caves below the earth are housed thousands of candles, each representing a human life. Life-Givers light the candles, signifying the birth of a child, while Death snuffs out the flame when the person’s time on earth has ended. "The Life-Givers” follows the story of a young apprentice “life-giver” who struggles with the idea that life must one day come to an end, however she learns that Death is not as final as it appears to be…
14. Cursed, 4’ 15’’ The Netherlands 2014 Directed by Merel van den Broek, Nicole Derksen Screenplay: Merel van den Broek, Nicole Derksen Animation: Merel van den Broek, Nicole Derksen Technique: 2D Computer Animation Music: Bruce Lim, Sophie (Yu) Song Dialogues: N/A Subtitles: N/A
Cursed is about a villainess who enjoys bringing chaos and disaster. But when something crosses her way of evil-doing, things turn out for the unexpected.
15. The Sheep Shop, 3’ 17’’ The Netherlands 2014 Directed by Jorn Leeuwerink Screenplay: Jorn Leeuwerink Animation: Jorn Leeuwerink Technique: 2D Computer Animation Music: Jorn Leeuwerink, Myra Emmen Riedel Dialogues: None
Grandmother Sheep sells woollen sweaters at her shop. But where does the wool come from?
16. With joy and merriness, 5’ 52’’ Belgium 2014 Directed by Jeanne Boukraa Animation: Jeanne Boukraa Technique: 2D On Computer Music: Benoit Charron, Jeremy Bocquet Dialogues: French Subtitles: English
"With joy and merriness" is a experimental documentary where we observe, through every day scenes, the degeneration of a society where the rise of technology leeds the population to the biggest dream of all men: immortality.
17. Don't Feed The Penguin, 6’ 38’’ France 2014 Directed by Alenka Krizenecky Screenplay: Alenka Krizenecky Animation: Alenka Krizenecky Technique: Alenka Krizenecky Music: Stéphane Erhardt Dialogues: None Subtitles: English
Jo is an employee at a 24/7 Asian food court. On this particular night, while business is slow, he kills time by eating. When a maki he is about to eat warns him about a penguin, he turns slightly paranoid.
18. Simorgh, 4’ 30’’ USA 2014 Directed by Meghdad Asadi Lari Screenplay: Meghdad Asadi Lari Animation: Meghdad Asadi Lari Technique: 3D , 2D Music: Saba Alizadeh Dialogues: None
Simorgh is a personal interpretation of The Conference of the Birds by Farid ud-Din Attar. A choreographic piece that incorporates Persian music, calligraphic art and ornament designs to tell the traditional Persian story of life that deals with the fragility of self worth.
19. Over My Dead Body, 3’ 38’’ Poland 2015 Directed by Agata Mianowska Screenplay: Agata Mianowska Animation: Agata Mianowska Technique: Music: Dialogues: Polish Subtitles: English
Mr and Mrs cat are having a family dinner. Their daughter is coming with Albert, her new boyfriend. Unfortunately he is a rabbit… and a contemporary artist.
20. Dreams, 0’ 38’’ Australia 2015 Directed by Helsa Tanaya Screenplay: Helsa Tanaya Animation: Helsa Tanaya Technique: 2D Computer animation Music: Claude Debussy Dialogues: n/a
A surreal story about a girl’s dream as she imagines herself exploring a fantastic world and free from her illness.
21. Speak Up, 0’ 51’’ Australia 2014 Directed by Helsa Tanaya Screenplay: Helsa Tanaya Animation: Helsa Tanaya Technique: 2D Computer animation Music: Franz Liszt (Public Domain Mark 1.0) Dialogues: None
A short story about a guy who must overcome his shyness and break off his own shell to connect with others.
22. Rosso Papavero, 5’ 15’’ Slovakia 2014 Directed by Martin Smatana Screenplay: Ivana Sujova Animation: Martin Smatana Technique: Stop-motion Animation, Puppets Music: Studio Fontana Dialogues: None
Once upon a starry night, a small boy with the head full of fantasies witnesses dreamlike circus performances. Dazed by endless chain of glittering attractions he realizes that the price for a ticket to the fantastic circus tent is too high and gate between reality and dream is closing.
23. Dreams, 0’ 38’’ USA 2015 Directed by Emily Wilsnon Screenplay: Emily Wilsnon Animation: Emily Wilsnon Technique: 2D Computer animation Music: Incompetech.com Dialogues: None
A ballerina dances in a white room and once she is finished she wakes up in her bed without legs and we see that she was in a war that took her legs.
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